SKENE III (2025)
w/ Sara Paternesi, Error43, Distante
sound/instrument design & technics
Artemis Gallery Lisbon - Everlasting Worlds
w/ Sara Paternesi, Error43, Distante
sound/instrument design & technics
Artemis Gallery Lisbon - Everlasting Worlds
Yearning for Hypersea (2023)
w/ Michelle O'Higgins
made a max/msp patch with webcam motion tracking, capturing reflections of water ripples on the ceiling and triggering dialog lines & synths (microtonal sines & granular water sound), constructing the story between mother and the baby
technical demo
w/ Michelle O'Higgins
made a max/msp patch with webcam motion tracking, capturing reflections of water ripples on the ceiling and triggering dialog lines & synths (microtonal sines & granular water sound), constructing the story between mother and the baby
technical demo
Traces of Memories (2022)
space of sections
of colours and textures
where traces of memories
~cycle through
time
diluting, cleansing and
entering every possible vein that
forbids remembering,
while drifting stains
slowly forming
the shades of us
Generative A/V piece
Ars Electronica ‘22
space of sections
of colours and textures
where traces of memories
~cycle through
time
diluting, cleansing and
entering every possible vein that
forbids remembering,
while drifting stains
slowly forming
the shades of us
Generative A/V piece
Ars Electronica ‘22
Data Afterlife (2022)
𝕯𝖆𝖙𝖆 𝕬𝖋𝖙𝖊𝖗𝖑𝖎𝖋𝖊 is a project that confronts the powers that control not only the data of those living, posting, streaming, and sharing on social media today, but also those users who have left behind their mortal bonds but whose profiles remain.
By relating the opaque tech corporations that have supremacy over our data to the centralized religious institutions who claim ownership over the souls of their followers, the project interrogates how these tech institutions have made data they control a sacred aspect of our social existence–and a divine reflection of the way we see ourselves.
John Kazior, Jolien Maaskant, Ellen Bjerborn, Ivona Petrov and Kuntay Seferoğlu for PSMC Residency
𝕯𝖆𝖙𝖆 𝕬𝖋𝖙𝖊𝖗𝖑𝖎𝖋𝖊 is a project that confronts the powers that control not only the data of those living, posting, streaming, and sharing on social media today, but also those users who have left behind their mortal bonds but whose profiles remain.
By relating the opaque tech corporations that have supremacy over our data to the centralized religious institutions who claim ownership over the souls of their followers, the project interrogates how these tech institutions have made data they control a sacred aspect of our social existence–and a divine reflection of the way we see ourselves.
John Kazior, Jolien Maaskant, Ellen Bjerborn, Ivona Petrov and Kuntay Seferoğlu for PSMC Residency